我主要是透過對比元素平衡的塑型創作這件作品。大自然在我尋找靈感的過程中扮演著關鍵的角色，我相信我的作品很適合放在風景
之間，並自然反射在其中，為它帶來視野和真實的光輝。總的來說，我遵循以簡單為基礎的和諧想法，循著一條允許即時情緒的美學的線，這樣俏皮的特質或許更接近公共藝術。關於這一點，我想補充，在任何有可能的地方，互動的元素能使關係更感官，我對美學的研究特別著重親密，靈性的創作的過程，它導向我理想的平衡之一，因為光和影，連續性和間斷性等的反差，以環境藝術的創造來講，尤其是場域藝術，在我的美學理想中佔著日益重要的地位，因為他融合了和諧、俏皮和靈性等元素。在此，這件作品是一個封閉的圓，其中一個空洞的點呼應一個完整的型，這個元素似乎透過永續的圓的呈現不斷自我創造，而他的概念是生命永恆的循環。
I conceive the sculpture through an plastic essentiality of contrasting elements that are the same time balanced.
Nature plays a key role in the search expressive of my work. The context of the landscape welcomes the work in my opinion and is reflected in it, giving at the entire vision an aura of authenticity vital and unusual .
In general I follow the idea of harmony founded on simplicity, according to an aesthetic line that allows an immediate emotional impact, these qualities probably come closer to an ideal playful of public art. To this I add, where it is possible the feature of the interactivity, so within a relationship full sensory.
In particular, my aesthetic research is closely linked to a creative process that in intimately spiritual sense, it leads to one of my ideal balance, due to the contrast between light and shadow, continuity and discontinuity, etc...
The creation of works of environmental art and in particular of site-specific interventions increasingly represent my ideal way to express an aesthetic that brings together those features that include harmony, play, spirituality
In this case the work is a closed circuit where to an empty point, corresponds to a full. This is an element that seems self-produce through the ideal representation of a continuous cycle that in the concept is the endless cycle of life
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